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Here and elsewhere in this essay Lukács argues that the dialectical method is pivotal for Marxism and a more complete view of reality. Without it distortions, isolations and fragmentations of thought and analysis will occur. The dialectic is just as crucial to literature as it is to any field of knowledge. If it is not an integral part of literature then it cannot be literature that seeks to be Marxist. For all its good intentions then surrealism does not follow in the footsteps of Marxism, because it never overcomes the level of immediacy.
16. Lukács' stance on socialist realism during the 1930s is expressed in a more veiled way since he was living in the Soviet Union at the time. In referring to proletarian literature in his essay "Tendency or Partisanship," he scrutinizes the idea of tendentious literature. Lukács says that its proponents disregard literary form, regarding it as bourgeois and calling attention to the immediate sociopolitical situation. Thus tendentious literature becomes mere literature of agitation that lacks the depth and subtlety of even the great works of bourgeois realists. Tendency, as it is conceived by its advocates, is posited as an "ought" in opposition to reality (the "is) and, consequently, makes subjective demands on writers and readers alike within an idealist framework. In spite of its proletarian provenance, tendency fails to grasp its connection to material production, human activity and the class struggle. In Lukács' words "it is not a tendency of social development itself, which is simply made conscious by the poet (in Marx's sense), but rather a (subjectively devised) commandment, which reality is requested to fulfill." This position is flawed because of the "rigid and formalized separation of the various spheres of human activity from one another" (37).
Good introduction to Surrealism maintained by Monica Sanchez.
At the age of 16 he condemned all French poetry as rhymed. short fiction and critical essays. In addition to his surrealist. Contemporary Surrealist Writers. Surrealism is a dangerous word to use about the poet, playwright and critic T.S. Eliot, and certainly with his first major work, The Love Song of J. Alfred Prufrock . Open Door Surrealism Is a Romantic Critique of the Avant-Garde from Within By Garrett Caples [Editorâs Note: Garrett Caples delivered a version this talk at the.