First, I’m going to ask if you truly mean wounded. That would indicate the protagonist will die from his wounds. I’m guessing that instead you merely mean severely wounded both physically and emotionally. (If he really does die from either the physical or emotional wounds, most of what I include here will still apply.)
is another way to help parties manage their emotions. Victims of and often feel , helpless, and hopeless. Other emotional responses that commonly result from trauma include depression, intense , and anxiety. One strategy that can help parties to acknowledge and deal with trauma and hidden emotions is . Some theorists point out that one reason that protracted conflicts get so "stuck" is that disputants do not feel deeply heard by one another or the world at large. Often this is because parties delete their emotions from the narratives they tell about conflict. The "story that each side tells to itself and others about the conflict" does not mention the anger, hurt feelings, humiliation, and shame that parties have experienced. In order to resolve their conflict, parties must begin to acknowledge their hidden feelings in a way that leaves dignity intact. People should have a chance to tell their stories of pain and oppression. The "truth-telling" that occurred in South Africa, for example, allowed both black and white citizens to express some of their emotions and begin to change their shared narrative.  Some other ways to begin the process of emotional healing and include testimonies, memorials, and group ceremonies.
Narrative essay words of emotion
The has become an increasingly popular topic recently, with some scholars arguing that it is an category of analysis, not unlike , , or . Historians, like other social scientists, assume that emotions, feelings and their expressions are regulated in different ways by both different cultures and different historical times, and the school of history claims even that some sentiments and , for example , are learnt and not only regulated by culture. Historians of emotion trace and analyse the changing norms and rules of feeling, while examining emotional regimes, codes, and lexicons from social, cultural, or political history perspectives. Others focus on the history of , , or . What somebody can and may feel (and show) in a given situation, towards certain people or things, depends on and rules; thus historically variable and open to change. Several research centers have opened in the past few years in Germany, England, Spain, Sweden, and Australia.